

{"id":235,"date":"2012-04-28T10:09:21","date_gmt":"2012-04-28T10:09:21","guid":{"rendered":"http:\/\/www.sergiozavattieri.com\/wp\/?page_id=235"},"modified":"2015-02-23T17:39:30","modified_gmt":"2015-02-23T17:39:30","slug":"falso-mivimiento-exhibition","status":"publish","type":"page","link":"https:\/\/www.sergiozavattieri.com\/eng\/exhibitions\/falso-mivimiento-exhibition\/","title":{"rendered":"Falso movimiento exhibition"},"content":{"rendered":"<h3><strong>Falso movimiento (Fake movement)<\/strong><br \/>\n<strong>\u00bb 30 Jenuary &#8211; 21 February 2003<\/strong><br \/>\n<strong>Fundaci\u00f3n Municipal El Puig<\/strong><br \/>\nValencia, Spain<br \/>\nCurated by Francisco Horts, text by Rosa Ulpiano<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1416\" title=\"fake.movement\" alt=\"\" src=\"http:\/\/www.sergiozavattieri.com\/eng\/wp-content\/uploads\/2012\/04\/fake.movement3.jpg\" width=\"940\" height=\"294\" srcset=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/uploads\/2012\/04\/fake.movement3.jpg 940w, https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/uploads\/2012\/04\/fake.movement3-900x281.jpg 900w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><\/p>\n<p>Fake Movement ileads the spectator to new redemption, a new freeing of the experience.<br \/>\nThe movement to liberation suggested by these images turns into a baconian movement in which\u00a0 his personages become empty, free from any feeling.<br \/>\nHe provokes a tension on the spectator, who is aware that each work, each body, gives birth multiple germinations, the multiplication of the models.<br \/>\nInstead of abandoning his re-compositive track, he gets closer to a diffuse, cathartic model.<br \/>\nPhotography becomes a constitutive tool of the human being, a prothesis, even a new definition. Sergio Zavattieri interprets this concept of photography through the corporal dynamism, establishing a total communication between image and photography, including\u00a0 extent where the image is photography and vice versa.<br \/>\nThe body moves itself stroke by stroke inside the camera, like that fauna of which Muybridge photographically captured the moves, this risky sliding. Through the human body, a new way to be, to exist, is re-defined in a new ontological abstraction, where each time the machine creates an extended barrier. The artist set us free from this barrier through the aesthetic illusion of the new vital abstraction of the body, this communication media which dignify us in this talking, immaterial, where digitalization and virtualization socialize in a new universe.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Review<br \/>\n<\/strong><a href=\"http:\/\/www.sergiozavattieri.com\/eng\/falso-movimiento\/\">Rostros sin sentimiento, Rosa Ulpiano, Levante, 2003<\/a><strong><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong><br \/>\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Falso movimiento (Fake movement) \u00bb 30 Jenuary &#8211; 21 February 2003 Fundaci\u00f3n Municipal El Puig Valencia, Spain Curated by Francisco Horts, text by Rosa Ulpiano Fake Movement ileads the spectator to new redemption, a new freeing of the experience. The &hellip; <a href=\"https:\/\/www.sergiozavattieri.com\/eng\/exhibitions\/falso-mivimiento-exhibition\/\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/pages\/235"}],"collection":[{"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/comments?post=235"}],"version-history":[{"count":9,"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/pages\/235\/revisions"}],"predecessor-version":[{"id":2570,"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/pages\/235\/revisions\/2570"}],"up":[{"embeddable":true,"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/pages\/6"}],"wp:attachment":[{"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/media?parent=235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}