

{"id":266,"date":"2012-04-28T11:27:26","date_gmt":"2012-04-28T11:27:26","guid":{"rendered":"http:\/\/www.sergiozavattieri.com\/wp\/?page_id=266"},"modified":"2015-02-23T17:43:40","modified_gmt":"2015-02-23T17:43:40","slug":"non-esistono-soluzioni-intere-positive-allequazione-exhibition","status":"publish","type":"page","link":"https:\/\/www.sergiozavattieri.com\/eng\/exhibitions\/non-esistono-soluzioni-intere-positive-allequazione-exhibition\/","title":{"rendered":"Non esistono soluzioni intere positive all&#8217;equazione exhibition"},"content":{"rendered":"<h3><strong>Non esistono soluzioni intere positive all\u2019equazione (There are no positive integer solution to equation)<\/strong><br \/>\n<strong>\u00bb 9 February &#8211; 17 March 2007<\/strong><br \/>\n<strong>Zelle Arte Contemporanea<\/strong><br \/>\nPalermo, Italy<br \/>\nCurated by Federico Lupo, text by Federico Lupo<\/h3>\n\n<div class=\"ngg-galleryoverview ngg-slideshow\"\n\tid=\"ngg-slideshow-6b30f3be543fdc03265577f16392c50c-10880528980\"\n\tdata-gallery-id=\"6b30f3be543fdc03265577f16392c50c\"\n\tstyle=\"max-width: 439px;\n\t\t\tmax-height: 649px;\n\t\t\tdisplay: none;\">\n\n\t\n\t\t<a href=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/1.jpg\"\n\t\t\ttitle=\"\"\n\t\t\tdata-src=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/1.jpg\"\n\t\t\tdata-thumbnail=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/thumbs\/thumbs_1.jpg\"\n\t\t\tdata-image-id=\"38\"\n\t\t\tdata-title=\"1\"\n\t\t\tdata-description=\"\"\n\t\t\tclass=\"shutterset_6b30f3be543fdc03265577f16392c50c\">\n\n\t\t\t<img data-image-id='38'\n\t\t\t\ttitle=\"\"\n\t\t\t\talt=\"1\"\n\t\t\t\tsrc=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/1.jpg\"\n\t\t\t\tstyle=\"max-height: 629px;\"\/>\n\t\t<\/a>\n\n\t\t\n\t\t<a href=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/2.jpg\"\n\t\t\ttitle=\"\"\n\t\t\tdata-src=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/2.jpg\"\n\t\t\tdata-thumbnail=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/thumbs\/thumbs_2.jpg\"\n\t\t\tdata-image-id=\"39\"\n\t\t\tdata-title=\"2\"\n\t\t\tdata-description=\"\"\n\t\t\tclass=\"shutterset_6b30f3be543fdc03265577f16392c50c\">\n\n\t\t\t<img data-image-id='39'\n\t\t\t\ttitle=\"\"\n\t\t\t\talt=\"2\"\n\t\t\t\tsrc=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/2.jpg\"\n\t\t\t\tstyle=\"max-height: 629px;\"\/>\n\t\t<\/a>\n\n\t\t\n\t\t<a href=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/3.jpg\"\n\t\t\ttitle=\"\"\n\t\t\tdata-src=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/3.jpg\"\n\t\t\tdata-thumbnail=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/thumbs\/thumbs_3.jpg\"\n\t\t\tdata-image-id=\"40\"\n\t\t\tdata-title=\"3\"\n\t\t\tdata-description=\"\"\n\t\t\tclass=\"shutterset_6b30f3be543fdc03265577f16392c50c\">\n\n\t\t\t<img data-image-id='40'\n\t\t\t\ttitle=\"\"\n\t\t\t\talt=\"3\"\n\t\t\t\tsrc=\"https:\/\/www.sergiozavattieri.com\/eng\/wp-content\/gallery\/soluzioni\/3.jpg\"\n\t\t\t\tstyle=\"max-height: 629px;\"\/>\n\t\t<\/a>\n\n\t\t<\/div>\n\n\n\n<p><em>As a rule, it is best to take plant samples during the late flowering period, at the time when the first fruits begin to ripen. If this is not possible, it would be a good idea to gather several samples at different stages in order to display both specimens with flowers and those with fruit. <\/em><\/p>\n<p><em><\/em>It is important to take a complete sample of the plant, with the aim of maintaining the greatest possible number of characteristics that are necessary to identify it.<br \/>\nIt seems that the painstaking transformation of this into a mortal work is just what Zavattieri is pursuing. Freezing the so-called \u2018necessary characteristics\u2019, he displays them beautifully in a sort of visual trick straddling the lucid and the macabre.<br \/>\nHowever, his interest is not completely (or may not be at all) naturalistic, but rather a reflection on material decay and how this can be contrasted with a crystal-clear, condensed image. This tableau mortel is destined to be preserved for as long as possible.<br \/>\nThe epidermis captured by Zavattieri appears inextricably linked to the architectural elements described by Karl Blossfeldt, but the structure here is a memorial stone and the epitaph is far too brief.<br \/>\nThe life breath seems the conclusive desire of a great gambler Zavattieri\u2019s sleight of hand substitutes the playing cards in such a way that the actual deception seems completely non-illusionary. Clearly inspired by Fermat\u2019s Last (\u2018impossible\u2019) Theorem, the title of the exhibition underlines this approach of false documentary.<br \/>\nThese images do not contain a blinding, demonstrative claim; instead what comes out of them is the flexibility of a language which takes risks to explain itself.<br \/>\n<strong><\/strong><\/p>\n<p><strong><br \/>\n<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Review<br \/>\n<\/strong><a href=\"http:\/\/www.sergiozavattieri.com\/eng\/there-are-no-possible-solution-to-equation\/\">Non esistono soluzioni intere positive all\u2019equazione (There Are No Positive Integer Solution to Equation), Helga Marsala, Exibart, 2006<\/a><strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Non esistono soluzioni intere positive all\u2019equazione (There are no positive integer solution to equation) \u00bb 9 February &#8211; 17 March 2007 Zelle Arte Contemporanea Palermo, Italy Curated by Federico Lupo, text by Federico Lupo As a rule, it is best &hellip; <a href=\"https:\/\/www.sergiozavattieri.com\/eng\/exhibitions\/non-esistono-soluzioni-intere-positive-allequazione-exhibition\/\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/pages\/266"}],"collection":[{"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/comments?post=266"}],"version-history":[{"count":7,"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/pages\/266\/revisions"}],"predecessor-version":[{"id":2574,"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/pages\/266\/revisions\/2574"}],"up":[{"embeddable":true,"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/pages\/6"}],"wp:attachment":[{"href":"https:\/\/www.sergiozavattieri.com\/eng\/wp-json\/wp\/v2\/media?parent=266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}